These great passions, Trotsky argues, were carried to such a high degree of tension in Shakespeare that they lost their individual character, became “super-personal,” and were transformed into a fate of a certain type. “The jealousy of Othello, the ambition of Macbeth, the greed of Shylock, the love of Romeo and Juliet, the arrogance of Coriolanus, the spiritual wavering of Hamlet, are all of this kind.”
From this, the audience gets the first glimpse of Iago's inner-workings and his insecurities. Iago sees himself to be a surrogate of a man. Through his corrupt insight into what goes on around him, Iago believes that Cassio (whom he also later claims had sex with his wife) and Othello attract attention from the opposite sex which he himself does not receive. Cassio is of a type which easily woo woman and is good looking, whilst Othello's power and reputation make him seem attractive. Iago's jealousy leads him to lose his sense of trust. This trait leads him to believe that certain innocent actions of other characters are in a way mocking him. He thought that in this way Cassio and Othello were trying to signify that he was impotent.
In his Othello (1952), Welles also plays the title character, a Moorish general in the Venetian army who has secretly married Desdemona (Suzanne Cloutier), the daughter of a leading senator. Iago (Micheál Mac Liammóir), an ensign in the same military, hates Othello and plots (successfully) to make him jealous of his new wife. Jack J. Jorgens in his Shakespeare on Film categorizes Iago as one of the newly emerging bourgeois figures, “familiar students of Machiavelli, the humorless, brutal, heartless users of men.”
The problem is -- and Othello will wrestle with this problem until he kills Desdemona -- he has no way to resolve his doubt. He says to Iago that he will not concern himself with . "Exsufflicate" means "overblown," and "blown" probably means "flyblown"; meat gets flyblown when it's so rotten that the blowfly lays eggs all over it. In short, Iago's inferences are disgusting exaggerations. However, Iago has not actually made any inferences; he's implied much, but he's been very careful not to make any accusations, not to say anything that could be refuted or disproved. Instead, it's Othello who is making jealous inferences even as he's denying that he can be jealous. He says, . He's right. An outgoing personality doesn't make a woman loose. But he wouldn't have to remind himself of that if he weren't jealous. Similarly, he says, . Again, Othello is right. Before her father and the world Desdemona proclaimed her choice, but if he weren't jealous he wouldn't have to remind himself that she chose him.
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Othello ends his speech about his freedom from jealousy by declaring, . To "doubt" means to suspect, and despite what he says, Othello already has strong suspicions, not from seeing anything, but just from listening to Iago. Still worse, Othello is prepared to hear and believe whatever Iago says next. Othello believes that he's not the jealous type and he believes that Iago is his honest friend, so he believes that Iago couldn't be lying and he believes that he himself can't be mistaken.
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Iago then uses more reverse psychology, telling Othello to . Then Iago adds, [natural generosity]. In other words, Othello shouldn't be jealous, but if he's not, Desdemona is likely to take advantage of him.
Later in the scene, alone on the stage after Emilia has given him Desdemona's handkerchief, Iago reveals his plan for using the handkerchief to deepen Othello's jealousy. He will put the handkerchief in Cassio's room, where Cassio will find it. This will serve Iago's purpose because . As it turns out, Iago is right; when Othello sees Cassio with the handkerchief he thinks that he has seen the proof that Cassio and Desdemona are having an affair. 
Free Othello Jealousy Essays and Papers
Shakespeare’s play, Othello, is a masterpiece that depicts jealousy in various aspects. In the play, Othello, the protagonist, is beguiled by his most-trusted companion, Iago, by means of jealousy. Also in the play, Cassio, a newly-promoted lieutenant by Othello, is deceived as well, by Iago, who is jealous of his promotion over him. In the play, Othello is also a victim of jealousy, who after being convinced his wife is cheating on him, murders her. Jealousy, being an uncontrollable aspect, leads to the tragic death of various characters, including Othello.