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Ring around the rosiePocket full of posiesUpstairs, downstairsWe all fall down

I have never heard of any of your versions. I am 61 yrs old and the version I grew up with was: Ring around the Rosie, pocket full of posies, Ashes, ashes , all fall down. More sinister than any of yours. I also asked friends and family and they also only know of my version

I was shocked when I had children to hear and see in writing “ashes, ashes, all fall down.” I laid this to its having been passed down orally through generations of children whose ancestors came from England. But I could not let go the thought that our verse must have at one time made sense. I had heard that rosie was the boil and posies in the pocket were to help the odor of the diarrhea that accompanied the plague. But what was a “spur and an “e”. Here is how I made sense of the version that we sang. considering that nobody saw it in writing and it was handed down by children.

I can make a personal note that corroborates the Texas 1939 Lomax version of this song. I spent my childhood in the Piedmont region of North Carolina (Winston-Salem) and distinctly remember in the 1940’s on the Elementary School playground singing this song with these words: Ring around the Rosie, Pocketful of posies. Red Bird, Blue Bird, Squat! Rosie was the child in the middle and the last child in the ring to squat became the next Rosie. I don’t know why we would have said Red Bird, Blue Bird instead of Light Bread, Sweet Bread as they did in Texas. But I do know that my grandmother and mother did not bake light or yeast breads. They only made quick breads like corn bread and biscuits.

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Though Capra is known for having very wholesome, American, do-gooders as his main men, this film goes slightly off course and has a good hearted, superstitious gangster. Compared to the all american, small business owning, dream filled George Bailey, Dave the Dude the gangster is unconventional at best. Both characters choose to do the right thing and have the same good heart that makes the film a Capra classic. In "Pocketful of Miracles" though, Dave the Dude does need a bit more persuading from his leading lady than George Bailey did. Bailey ultimately made all of his own decisions and was fully supported by his wife, whereas Dave needed some help realizing that he should help the women who 'gives him good luck' everyday from his fiancée Queenie. With George and Mary, both had good intentions for their community and their friends the whole time, whereas Dave and Queenie (or David and Elizabeth) have some other intentions that are superstitious or may hurry along their awaited wedding, and try to pass the buck off on each other.

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Essay Types by Pocketful of Write | Teachers Pay Teachers

Including titles in fiction, poetry, drama, and essays, David Madden's Pocketfuls series are slim volumes including only the essentials of the most familiar and most often taught works in each genre. Priced to be affordably packaged with two or even three other volumes, each book in the Pocketful series can also be used separately.

Michel, like the hero of Crime and Punishment, has a good woman in his life, who trusts he will be able to redeem himself. The woman in “Pickpocket” is named Jeanne (). She is a neighbor of Michel's mother, and the lover of Michel's friend Jacques (). She comes to Michel with the news that his mother is dying. Michel does not want to see his mother, but gives Jeanne money for her. Why does he avoid her? Bresson never supplies motives. We can only guess. Perhaps she shames him with her simplicity. Perhaps she makes it impossible for him to think of himself as an extraordinary man,alone in the world. Does he avoid her because of arrogance, or fear?

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Great article! Well done! I seem to recall that during the 1959+ Ban the Bomb movement in England, one poet published two small collections of re-worked nursery rhymes, etc., on the subject. One, as I recall, was “A-ring around a neutron / a-pocket full of positron / a-fission, a-fission / we all fall down.” Kind-a like your 1949 example.


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There is incredible buried passion in a Bresson film, but he doesn't find it necessary to express it. Also great tension and excitement,tightly reined in. Consider a sequence in which a gang of pickpockets, including Michel, works on a crowded train. The camera uses closeups of hands, wallets, pockets and faces in a perfectly timed ballet of images that explain, like a documentary, how pickpockets work. How one distracts, the second takes the wallet and quickly passes it to the third, who moves away. The primary rule: The man who takes the money never holds it. The three men work the train back and forth, at one point even smoothly returning a victim's empty wallet to his pocket. Their work has the timing, grace and precision of a ballet. They work as one person, with one mind. And there is a kind of exhibitionism in the way they show their moves to the camera but hide them from their victims.

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A pocketful of essays volume 2. A pocketful of essays volume 2 but i 22 years old, tall, slim, and have a girly/classic style that i would like to stick with.

My mother (who was born in 1913 on a dairy farm near Atlanta, and whose mom was from rural N. GA) taught it to me as
Ring around a rosy
Pocket full of posy
Upstairs, downstairs,
In my lady’s chamber
(Repeat,and change the last line to “Giddy, giddy, squat!”)